AP Music Theory Practice Quiz: Embellishing Tones: Identifying Anticipations, Escape Tones, Appoggiaturas, and Pedal Points
Written by AP Content Team, Verified for 2026 AP Exams, Last updated: May 2026
Test your understanding with short quizzes. This quiz has 7 questions to check your progress.
Question 1 of 7
All Questions (7)
A) Appoggiatura
B) Anticipation
C) Pedal Point
D) Escape Tone
Correct Answer: C
A pedal point (or pedal tone) is a sustained note, most often in the bass, over which harmonies change. It can be a chord tone in some chords and a nonharmonic tone in others.
A) Appoggiatura
B) Escape Tone
C) Anticipation
D) Pedal Point
Correct Answer: A
The defining characteristic of an appoggiatura is its melodic shape: it is approached by a leap and resolves by a step, most commonly downward. It is often rhythmically accented.
A) step in the same direction.
B) leap in the opposite direction.
C) remaining on the same pitch.
D) leap in the same direction.
Correct Answer: B
An escape tone is approached by step (usually ascending) and then 'escapes' the harmony by leaping in the opposite direction (usually descending) to a chord tone.
A) Pedal Point
B) Escape Tone
C) Appoggiatura
D) Anticipation
Correct Answer: D
An anticipation is a nonharmonic tone that anticipates a note in the following chord. It is approached by step and then remains on the same pitch, which becomes a chord tone in the new harmony.
A) An appoggiatura is approached by step and resolves by leap, while an escape tone is approached by leap and resolves by step.
B) An appoggiatura is approached by leap and resolves by step, while an escape tone is approached by step and resolves by leap.
C) Both are approached by step, but the appoggiatura resolves by leap and the escape tone resolves by step.
D) Both are approached by leap, but the appoggiatura resolves by step and the escape tone resolves by leap.
Correct Answer: B
The melodic contours of these two nonharmonic tones are opposites. An appoggiatura is approached by leap and resolves by step. An escape tone is approached by step and resolves by leap.
A) Anticipation
B) Appoggiatura
C) Pedal Point
D) Escape Tone
Correct Answer: C
This scenario describes the classic function of a pedal point: a single note (G) is sustained in the bass while the harmonies above it change. The G is a chord tone in the G and C chords but a nonharmonic tone in the D major chord.
A) Escape Tone
B) Anticipation
C) Pedal Point
D) Appoggiatura
Correct Answer: D
The note A does not belong to the G7 chord (G-B-D-F). It is approached by a leap (from G to A) and resolves by a step (from A down to G). This specific melodic pattern—leap to a nonharmonic tone, then step resolution—is the definition of an appoggiatura.